posted on Apr 18, 2015
CLICK THE IMAGE ABOVE TO READ THE INTERVIEW…or the link below!
The interview site said it best! Greg Bennick is an award-winning speaker, a writer, a curious world traveler, a film producer, the vocalist for the bands TRIAL and BETWEEN EARTH & SKY, a humanitarian activist, the founder of One Hundred For Haiti organization, The Legacy Project, co-founder of The World Leaders Project, a touring spoken word performer, and a guest keynote speaker for all kinds of conferences, companies, educational groups, and research institutes.
In other words, Greg is a dynamic human whose addictive performances, great charm, and thought-provoking angle on various subjects will not leave you indifferent. He‚Äôs a passionate and funny entertainer who proves his reputation of utilizing an extraordinary power of language to transform minds using words as weapons.
This interview features Greg talking about all the elements of his life that rarely if ever come up in his commercial work (but maybe they should more often?). A good read if you have some time…
posted on Mar 15, 2015
Read this next part out loud in your best movie blockbuster announcer voice:
“In a world gone mad…one speaker…determined to survive at any cost…makes his way through ice and snow and first class airfare…with no sleep, no food, no sanity…driven only by his sheer and unbreakable will…to get to a keynote on time.”
Never has spending thousands of dollars felt so worthwhile, even though in the midst of it, I wanted to fall into a hole and die.
Happy audience + happy client = happy Greg.
posted on Nov 17, 2014
Two nights ago I won the Toastmasters International, Humorous Speech Contest for District 2 with this 7 minute speech, “The Road to Love is Paved With Good Intentions”.
Toastmasters International contest speeches are between 5 and 7 minutes long and are judged on speech development, content, effectiveness, audience response, delivery, and vocal performance.
This one was a comedic account of my legacy as the last in a line of failed romantics. It was fun to write a special speech for the contest and I am glad it went as well as it did!
posted on Aug 04, 2014
I didn‚Äôt know what to think when Life Mastery Radio said they wanted to do an interview. Was I worthy of being called a ‚Äúlife master‚Äù? Would I fit their demographic: an interview that started out with centering and deep meditation breathing might not be in line with me?
But as is true of most preconceived notions, they often fall quickly once reality sets in‚Ä¶and I never expected that in the span of an hour we would cover heavy metal drummers, fear of death and how it affects our lives, nonhierarchical organizing, spoken word touring, One Hundred For Haiti and perspectives on international aid work, punk rock, the innate human drive towards creativity, why people might really consider quitting their day jobs, and how media and authority have inspired us to become mentally lazy and disempowered. This was a great hour and I am thankful I got to be a part of it.
posted on Jul 29, 2014
In 1995, I was just out of acting school – having attended in order to learn vocal technique to augment my stage presence as a speaker. Speaking and acting have some interesting similarities in terms of how a conversation is established between performer and audience, most often in live theatre. At the time I was in school, I was unlike my classmates in that I had little desire to be an actor, and no ambition whatsoever to do auditions, etc. I just wanted to be a better communicator. So as not to get swept up into the world of acting, I made an agreement with myself that any fame or fortune that would befall me in the acting world would come TO me, not happen as a result of me going to It. Right in line with that, just after graduation, I was approached by a local 17-year-old director named Gabriel Judet-Weinshel. Gabriel had written a film called “The Last Supper” about a man who learns that he is living his last day. The Person, as this man is called (a sort of Everyperson character) has to reconcile his entire life between sunrise and sundown. Quite a concept for a teenager to develop as much as Gabriel had. I played The Person, and we shot over five days in Seattle. Very few people saw the film, as it wasn’t widely released, but what was significant about it was that Gabe and I worked together brilliantly. He looked at me on the last shoot day and said, “I am going to make movies for the rest of my life. When I cast my first feature, I am going to cast you in it.”
Fast forward to 2011. Its a decade and a half later. I get a phone call. It was Gabriel, now age 30-something. He was in New York, having done exactly what he said he would have done: he had spent his life making movies. He was indeed casting his first feature and he asked me to co-star. My IMDB profile needs a little love, so that was just another reason to say yes to this project. I play, surprise surprise, an eccentric, out-of-work juggler….go figure…who helps a detective figure out a murder mystery and the reasons behind a bizarre set of circumstances in which he sees duplicates – twins – of himself around a city, not all of them benevolent. We shot the film over twenty-one days in New York, and just this past week after a few years had gone by, we reshot one of the scenes which was to have required a number of special effects to make it look the way Gabriel wanted.
The film will be finished later this fall, and if the gods of film have their way, it will be on the festival circuit next year. It was fascinating to be in front again of the camera and experience communication in a different way than I am used to with my keynotes and my spoken word appearances. You don’t get the non-verbal cues that you get from conversation or from an audience. You also don’t get the verbal cues either. You don’t get anything actually: its all generative in your imagination and in how accurately you play the moment. There are good lessons here for when we don’t get back what we hope for from the person to whom we are speaking. What happens in the moment? Do we let that crush us? Sure, we are all insecure fragile creatures but we can also – in moments of need – retreat to our imagination and put another of our abilities to the best possible use: our ability to imagine and envision.
If we envision a reality other than the one we are currently in (this is a uniquely human attribute…no other species in the animal kingdom does this) then we can live as if. As if we are getting the response we want. As if our point is well taken. As if the recipient is on board with us. Often in moments in front of audiences, especially for new speakers, being AS IF is a great method for getting through tight moments. Instead of reacting to the response we received, we can react to the response in a moment that we WANTED to have received. Is it out of integrity to do this? It doesn’t matter: it is performance. And performance as reality creation is an inherent part of any communication. We use our words and tone in specific ways to bring out responses. This is performance too.
If it gets you by to the next scene, I vote to use whatever takes, go for it, and make it happen. Use whatever technique works to make the overall speech or presentation a success. When acting, I am thinking about the fullness of the reality of the situation, even if the camera doesn’t respond in the way I want it to. I can make the result seem like it did.
posted on Dec 20, 2012
Sometimes, the reasons why I do what I do are perfectly clear. Gaining clarity in moments isn’t always easy, but helps when you have a friend who is a professional photographer to catch the moment on film.
In the last twenty years, I have appeared on stages in more countries than I could easily count, in front of literally hundreds of thousands of people in the widest variety of circumstances. I always try to have have every moment under control. It comes from a lifetime of experience as a professional communicator. Everything gets thought through, considered, prepared for, and that work and readiness is what leads to solid events. But at the core of it all, what matters most to me is creating real connection and real communication. If those elements aren’t there in a presentation then all I am doing, regardless of the intensity and specificity of the preparation for a particular event, is just going through the motions. And life is too short to waste anyone’s time like that, especially that of my generous audiences.
This brings me to my favorite presentation of the year. This has been a year that saw me onstage in front of three thousand people in Singapore talking about international connectedness, and then later in a huge theater packed full of real estate experts in Wisconsin talking about putting people before profits, and then in a club filled with hundreds of intensely connected listeners in St. Petersburg Russia, and on and on. The world is a criss-crossed dotted map of my travels. But one event last week stood out amongst them all.
My friend Sean’s mom hasn’t been feeling well recently. The specifics of her illness are her personal business, but suffice to say, a hospital stay that was supposed to be short was extended recently and I drove up to Canada to visit her in the hospital. She was hopeful that she’d be getting out in a few days and I told her that I would come back up and juggle for her and for her granddaughter when she finally was allowed to go home. It was just a simple gesture really, but it was what I had to offer. Now, I don’t think there is anyone who while in the hospital thinks to themselves with any sense of urgency, “This hospital experience is terrible…what I REALLY need right now is a keynote speaking juggler.” My offer served a dual purpose: first of all, I thought it might be fun (this is the prime motivator for almost all of my actions in life). I thought it might be especially fun for the little granddaughter. Secondly, it could give Sean’s mom something to look forward to. We all recognize that when we have meaning in our lives that the meaningful thing, whatever it might be (an unfulfilled dream, a relationship, a hope, a goal) can be fuel for us through our darkest days.
Fast forward a week. She got out of the hospital, and I drove the three hours north back up to Canada to visit her at home. With me I had five juggling beanbags. Nothing more. No microphone. No stage. None of the things I bring to my commercial speaking engagements. No expensive designer suit and tie. No comedy lines custom written for the event. Just five juggling beanbags, casual clothes, and of course a passport (they tend to not let you into the country without one when coming home).
Whereas all other times the lights are on, the stage is set, and every detail has been looked after and prepared to perfection, this was a night and a performance of a very different kind. The audience – Sean’s mom and granddaughter and three more family members out of frame – were sitting on chairs and a couch or on the floor in a living room exactly like yours. I too sat on the floor.
When everyone was ready, rather than launch into a professional presentation of some kind, all I did was launch those beanbags aloft. Five of them started in motion in what is called a cascade, the most basic of juggling patterns.
The little girl’s eyes went wide. She instantly lost her mind in the best way, laughing all the while. It was as if she couldn’t believe what she was seeing. “Has she ever seen juggling before,” I wondered? If she had, she wasn’t letting on by way of her three-year-old semi intelligible descriptions to everyone of what she was looking at, or by way of her laughter.
And her grandmother, Sean’s mom, had a priceless smile too. But her smile was from a few different sources: not only for her granddaughter’s joy, but also for herself for finally being out of the hospital and at home with her family, and in appreciation for all of us taking the time to share and connect. (Ok, maybe a bit in wonder too at what she was seeing before her…)
They were happy. So happy. And the juggling and interaction and playing with them with those beanbags, whether by way of me juggling or by them trying themselves, went on for over an hour.
Typical audiences need something new every few seconds or so. They are trained by culture and communication norms to need constant stimuli, channel to channel, website to website, topic to topic, what’s in it for me or I am moving on. And I feel that too when I am onstage. My pacing reflects that. Laugh, idea, repeat. Give them something new to think about, to hear, to see. But this night we all got back to basics. It was about sharing in the simplest of ways and enjoying it deeply.
In his classic theater book “The Empty Space”, author Peter Brook opened with the line “I can take any empty space and call it a bare stage”. He meant that all one needs for theatre to happen is beyond the professional details. You need only a living room. A few willing people to watch. Someone with something to offer from the heart. And all of them with love to offer back. This moment, one that my friend captured so well, was simple. It was about connection and sharing. It was one of those moments which you reflect on after the face and realize with a smile, “Wow…that was something real.”
Sean reflected on this moment later with me saying, “I’m trying to capture as many moments in my mom’s life as possible. Its great to see her smile. Its few and far between.”
After far more than half a lifetime communicating and sharing, I can say without a doubt that moments like that are what drive me – when there is a real need to connect, and then when sincerity and communication and willingness and wonder suddenly blend in a moment. To have a chance to help create moments like this is really why I do what I do.
(For more information on Sean’s brilliant professional photography, please visit him here.)
posted on Dec 18, 2012
Recently interviewed on “Staging For Charisma”, Greg explains that speaking combined with entertainment “approaches people in a way that merely words cannot.”
Listen to this twelve-minute-long interview conducted a few months back as Greg shares ideas about his speaking and entertainment, the ideas in his documentary projects, and the work he does in Haiti with One Hundred For Haiti. You can listen to it here:
Or, you can download the entire Mp3 here and listen while doing cardio at the gym.
posted on Sep 22, 2012
A brand new article was just published in Wisconsin Real Estate Magazine about common misdirections in marketing and how marketers HAVE to put client’s needs first, before their own. People BEFORE profits, as a personal motto, is the only way to develop real relationships. Clients will always feel taken advantage of when there is no sincerity in a transaction. This is true in our personal transactions and especially in our business relationships. This article takes a look at new perspectives on those interactions. You can read the article here.
posted on Aug 13, 2012
A new article/interview with me appeared in MARKETER magazine, in which I discuss being a keynote speaker, being funny, being involved in helping others, and about being one who throws and catches objects. You can read it by clicking the link below, or by clicking HERE!
posted on Aug 09, 2012
When I am not on the road doing keynote presentations at events for commercial clients, I tour speaking to various audiences about ideas, passion, world-transformation, and a host of other things. One of the best parts about my life is connecting with people and being in places that are as vast, distant, and varied as anyone can dream of. In the last year I have spoken in cities across the world from southern Florida to Singapore.
On my last tour, I was speaking in Salt Lake City UT, and my friend Travis mentioned a VERY rural town he’d recently visited in southwestern Utah called Frisco. Travis is an interesting guy. He spends his time making short films about eccentric people and obscure places that most have never heard of, or would ever know about. So when he mentioned Frisco, I knew I was in for a good story. And I was right about that.
It turns out that Frisco, during the late 1800’s, was the largest silver mining town in the world, and was thriving as a result. Frisco was the epitome of a rough-and-tumble western town, filled with drunken saloons, shootouts, bar fights, sheriffs and other nefarious characters, and lots of treasure. It was like a Hollywood western film, but in real life. After a sudden and tragic mine collapse which killed many of the town’s workers, the mining there slowed to a halt and everyone moved out of the town leaving it finally empty after the 1920’s. And that’s where Travis comes into the story.
Having heard of Frisco, he went there with his film partner and they looked amidst the desert for evidence of the remainder of the town, and they found it, in a number of forms: from ruins of old mining gear and broken buildings, to the fallen mine itself, and also to a local man who had grown up near Frisco who had tapes – old and worn reel-to-reel recordings – of transfers of interviews with original inhabitants of the town. With footage shot onsite in what is left of Frisco and interviews with that man and the recorded interviews of the town’s real-life inhabitants, Travis put together a short film about the long-dead town and its history called “Boomtown“.
I immediately had an idea. I asked Travis if he was up for an adventure. I told him that I would book a night on my next tour, the tour which is now coming up in a week, for a spoken word event in Frisco. I told him that he and I should go out there together, sit near the mine – and that if anyone else wanted to come out, fine – but that at the very least that it would be the two of us by the light of a campfire, and I would do a spoken set for him as my audience…and that it would literally be the first live event to take place in Frisco Utah since the total death of the town nearly one hundred years ago. Travis being Travis and loving the weird side of life, agreed immediately.
And so…its booked: August 21st 2012, at 9PM: Greg Bennick spoken word at The Horn Silver Mine, Frisco UT. Just Travis, me, a campfire, anyone who ventures to join us…along with the words, whatever creatures of the night happen to drop by, and the ghosts of a town long dead.
See you there!